When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Because not everyone can shell out a week's worth of rent on the edible art of a hand-tweezed tasting menu, veteran restaurateur Kash Feng (owner of Michelin-starred Omakase) and consulting chef Shin Aoki (formally of Michelin-starred Kaigetsu) bring you Okane — legit Japanese fare for epicures of the 99 percent.
Based on Amanda Foreman's biography of Georgiana Spencer, the Duchess of Devonshire, Saul Dibb's costume drama tells how Princess Diana's 18th-century ancestor (played here by Keira Knightley)—a naive ingénue married off in her teens to a fornicating icy stiff (get the parallel?)—grew into a politically sophisticated woman. Cruising lightly over Georgiana's activism, Dibb firmly turns the spotlight on her love life, in which she must come to terms with a ménage à trois at home and a passionate love affair with Charles, Earl of Grey (an incongruously laddish Dominic Cooper), a future prime minister and namesake of the posh tea. But for all its frisky high jinks, brocaded homes, and creamy bosoms, The Duchess is a tragedy about the terrifying vulnerability of even the richest women in a society that deprives them of property rights. As a tale of mature self-sacrifice, the movie would be almost unbearably moving were it not for Knightley's insubstantial performance, which allows her to be fatally upstaged by Ralph Fiennes—who, despite having played many a stiff quite stiffly, has bags of fun here playing Georgiana's husband: a jerk, but also a man of his time who's not oblivious to the happiness of the women in his life.
Oct. 31-Nov. 13, 2008
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"