When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
The Dilettantes perform on Thursday, Aug. 2, at 9 p.m. Admission is $10; call 861-5016 or visit www.cafedunord.com for more info.
Some might remember San Francisco's Joel Gion as the massively sideburned goof-off in the Brian Jonestown Massacre documentary, Dig! Having been perhaps the silliest yet still pretentious member of a band full of all that and more, the arrival of Gion's own combo's debut full-length portends well for those into unhinged '60s lovin'. On the Dilettantes' 101 Tambourines, that sound is reined in close to the bone, though, with mere hints of sitars, harmonies, and the psychedelic like. Fuzzed-out guitars with occasionally wiry, mind-blowing (or at least mind-breezing) solos abound ("Ready to Go," "Marzipan"). But by three songs in, the Dilettantes curve into that early-'80s L.A. take on the flower-power decade, the "paisley underground." The jangly guitars and raw but clear production of True West, Green on Red, et al, return on Byrdsy bits like "The Whole World" and "Everlasting Low." While Gion's limited vocals sound better when he goes for a lulled croon ("Like Crazy," "Brightly Lit New Dark Ages"), those lovey-dovey ditties feel a bit drab compared to the more upbeat numbers. So there's a conundrum for these Dilettantes, but being out from under the Brian Jonestown train wreck may allow for Gion to keep rolling long enough to figure it out.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"