When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Some 23 years in the making, Ellen Kurass first film as a director is a portrait of Laotian refugee Thavisouk Phrasavath. The Betrayal (Nerakhoon) is also a haunting flashback to the lush green and fiery orange phantasmagoria of wartime Indochina. The son of a Laotian army officer, and a baby when the first U.S. advisors arrived in neighboring South Vietnam, Phrasavath grew up in the zone. He escaped Laos by himself at 12, swimming across the Mekong to Thailand and living for two years on the streets until his mother and siblings joined him. Long one of the independent film movements leading cinematographers, Kuras had yet to shoot anything when she discovered Phrasavath and his family living in a Brooklyn housing project and embarked upon their epic collaboration. Although she documented Phrasavaths life for over two decades, Kuras seems particularly fascinated by things that could not be filmed directly. The Betrayal eschews straightforward chronology, incorporating photographs of colonial Laos, TV footage of JFK, newsreels of the Ho Chi Minh Trail, bombs falling, towns burning, and clips from a Pathet Lao propaganda movie. The mode is free-associative, but the movies blunt accusatory title fits multiple periods of its subjects life. The Betrayal is refined, even delicate, filmmaking. Subtly off-speed and suffused with late-afternoon light, the movie weaves through time. Which is the dream, America or Laos? Impressionistic and lyrical, as well as somber and gripping, The Betrayal conveys a ceaseless flow. Its as if the filmmaker has opened a window onto a parallel world traveling beside our own.
Feb. 27-March 5, 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"