When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
S.F. Indiefest, with its ardor for shoestring films and no-illusions filmmakers, is the most pragmatic, eyes-wide-open festival in town. Paradoxically, perhaps, the fest also embraces a party-hearty ethos guaranteed to beat the blues out of the blackest nihilist. Both impulses collide at tonight’s opener at the Roxie, 4:44 Last Day on Earth, a compassionate but bruising study of a New York couple (Willem Dafoe and Shanyn Leigh) facing their final 15 hours before humanity is extinguished. That’s right, campers: No last-minute reprieves from God, no third-act plot twists, no happy endings. Leigh and director Abel Ferrara (Bad Lieutenant) will be on hand to cheer up the crowd and dish about the brilliant Dafoe. The festival returns to pre-apocalypse NYC for the closing night program at Public Works, Girl Walk // All Day, a full-length dance/music collaboration between mashup maestro Girl Talk and filmmaker Jacob Krupnick. In between, there’s the perennially popular Indiefest stew of crime (Snow on tha Bluff), weed (California 90420), roller derby (Skater 26), Bay Area shorts (“Nothing Is What It Seems”), Euro-crime (the Oscar-nominated Bullhead), intimate character study (Green, Without), horror (Kill List) and acid (The Substance: Albert Hofmann’s LSD). Your nerve endings will thank you.
Feb. 9-23, 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"