When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Coffee loyalty runs deep in San Francisco, and if asked to come up with a choice between Sightglass, Four Barrel, Ritual, or Blue Bottle, we might hiss and run away, flaring our frilled neck like a frightened Aussie lizard.
The great idiosyncratic original of the French nouvelle vague generation, Agnès Varda began her career as a photographer and, in her use of the medium, remains one at heart. Features and documentaries are equally characterized by a fascination with the found and the serendipitous, capturing the momentary and pondering the ways in which memory becomes something tangibleor the way memory shapes the world. The interplay of past and presenttypical of Vardas first-person essaysreaches its apogee with The Beaches of Agnèsa memoir drawing on the 81-year-old artists films and photographs, as well as her recollections. Its also a vehicle: Im playing the role of a little old lady, talkative and plump, she tells us up front. A stylized creaturesmall and sturdy, with bowl-cut hair and a proud baton of a noseVarda is, to some degree, self-invented (having changed her name as a teenager from the ultra-French Arlette to the more austere Agnès) and highly self-aware. The artist re-creates childhood tableaux using old family photos; redeploys footage of her first meeting with her Greek relations; and revisits homes of her youth. The Beaches of Agnès documents Vardas artistic growth, along with her life, as she evolves from bustling scene-maker to self-conscious autobiographer. But mainly, the film is benignly haunted by her late husband, filmmaker Jacques Demy.
Oct. 30-Nov. 5, 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"