When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Typically, people who react to museum art with physical symptoms (temporary heart stoppages and ambulatory failure, or just a hand thrown to the forehead as if feeling faint) are either characters in novels (mostly weak genre fiction) and those who make a point, by dint of personality or job requirement, to be dumbstruck on a regular basis. Although I wasn't quite gobsmacked when I stepped into the second room of the Anselm Kiefer exhibit "Heaven and Earth," I did let loose a low whistle. These paintings are freaking huge! Yes, I'm a sucker for big art, but only when someone goes large in the manner of this German artist, who attends to each inch of canvas with a detail that belies how many thousands more he has to go. Kiefer's dark, overwhelming landscapes are roughly and chaotically layered, often several inches thick, with materials like paint, clay, ash, and wood. One piece features a giant dead sunflower; another is covered with about a million sunflower seeds, which resemble a rock storm or a swarm of locusts. Up close, you get stunning topography. Step back 30 or 40 feet, and the paintings' themes of mythology, alchemy, and religious mysticism are revealed in all their floor-to-ceiling, wall-to-wall glory. Kiefer also throws in sculptures of jumbo lead books and even a jet airplane, edging him into the modern art tradition, but his paintings go right for your respiratory system.
Oct. 20-Jan. 21
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"