Get SF Weekly Newsletters
Pin It

Spoon 

Ga Ga Ga Ga Ga (Merge)

Wednesday, Jul 11 2007
Comments
While its slacker neighbors in Austin were busy making Gordian prog-punk or bluegrass covers of Snoop Dogg tracks, Spoon obsessed with the Pixies, overachieved, and got a major indie (and then a major) deal out of it. As it got dropped from Elektra and dropped the "The Agony of Laffitte" single in response, so too did Spoon begin to shed those unwanted pounds. The first thing to go was frontman Britt Daniel's Black Francis fat suit, resulting in Spoon's svelte and wiry (the band even covered British art punks Wire) new look.

Spoon's métier became seductive, restrictive, and meticulous by 2001's Girls Can Tell. Each subsequent record (2002's Kill the Moonlight and 2005's Gimme Fiction) and review, however, fretted over any excess weight gain or loss like an indie-rock Nicole Ritchie.

Ga Ga Ga Ga Ga, the group's sixth album, boasts an instrument roll call that might look swollen — trumpet, chamberlin, cello, koto, flamenco guitar — but Spoon wears it well. And some things never change, from Daniel's diction to the simple yet suggestive drum tattoos of Jim Eno. Opener "Don't Make Me a Target" breaches the limit of the band's plodding mid-tempo velocity; at the brink, the guitar fizzes out, and the group stumbles to the finish.

Throughout the disc, Spoon's longstanding Anglophilia dovetails with its rhythm and soul obsession (see the Van Morrison-worthy "The Underdog" and "You Got Yr. Cherry Bomb"). Only now Spoon lets in a dub bass line on "Eddie's Ragga" and a Mikey Dread sample on "Finer Feelings." Sounding like a mash-up of a Steve Reich work tape and a Bob Pollard demo, "The Ghost of You Lingers" cements Spoon's curious new embrace of fallibility, letting in vocal bleedthroughs, drop-outs, crackles, and ghostly echoes. Allowing for such fuck-ups, Spoon paradoxically forges a leaner and stronger alloy on Ga.

About The Author

Andy Beta

Comments

Subscribe to this thread:

Add a comment

Popular Stories

  1. Most Popular Stories
  2. Stories You Missed
  1. Most Popular

Slideshows

  • clipping at Brava Theater Sept. 11
    Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'. Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"