When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
In case you've been TaskRabbiting your way through life and haven't had the chance to leave the micro-loft to stroll the alleys and streets of central San Francisco, the number of homeless tent encampments in town is approaching epic levels — as in Hooverville and Great Depression levels.
The immortal moment came decades ago: a long-suffering fan already, at 8 years old, slumped against a rail at the ballpark for what could be the last time, defeated on the field and off of it, where the Giants were planning to possibly decamp from Candlestick Park to Florida.
Perhaps a benefit of its epic gestation -- much of the original footage dates back to '93 -- Marion Cajori and Amei Wallach's documentary biography of nonagenarian sculptor Louise Bourgeois nicely distinguishes itself from a current theatrical epidemic of stultifyingly admiring life-of-the-artist docs. Bourgeois, born in France but expatriated to the U.S. before World War II, has tangled with surrealism, feminism, postmodernism, and most any other -ism you could think of in the course of her creative life. The filmmakers seem to have developed an unusual intimacy with their subject, and part of this film's pleasure is in the intergenerational frictions that come up in Bourgeois and Wallach's conversations, with the interviewer trying to coax her subject into mouthing explicitly feminist cant, and Bourgeois cannily demurring. When Wallach calls a Brancusi sculpture "phallic," Bourgeois scoffs; while many activists read Bourgeois's oeuvre as a rebellion against the patriarchy of her girlhood (the Guerrilla Girls: "She's our icon, whether she likes it or not"), Bourgeois insists that she's been reacting to one specific patriarch: her philandering father. The artist's festering recollections of her girlhood mesh with guided first-person tours of her sculptures, creating a privileged look into a psyche rendered solid.
Fri., Nov. 14, 7:15 & 9:25 p.m.; Sat., Nov. 15, 2, 4:15, 7:15 & 9:25 p.m.; Sun., Nov. 16, 2, 4:15, 7:15 & 9:25 p.m.; Mon., Nov. 17, 7:15 & 9:25 p.m., 2008
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"