When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
When employees at a store asks if they can help you find anything, it's usually a meaningless gesture, or at worst, a threat of surveillance, but when Dick Vivian asks you what you're looking for when you walk into Rooky Ricardo's Records, he wants to help you find the funkiest, silkiest tunes he has — of which he has a lot.
Del Shores' tragicomedy mixes what New Conservatory productions tend to do best (camp) with what they tend to stumble over (sentiment). Four teenage choirboys in a Southern Baptist church experiment with their changeable, fickle desires under the inattentive but feverish eye of a fire-and-brimstone preacher. Mark, who snarkily narrates, falls in love with T.J., a straight-up military son who prefers not to think of himself as gay. Andrew is a sweetly suffering closet case; Benny rejects his upbringing to become a drag queen. The show amounts to a survey of the wreckage caused by Baptist fundamentalism, with music: Church ladies and choirboys sing hymns, while Benny channels Dolly Parton and Wynonna Judd. But the liveliest characters are a pair of barflies who seem to live in the club where Benny sings. An old fag hag named Odette Annette Barnette (J.R. Orlando) makes friends with an overweight, over-the-hill queer named Peanut (Richard Ryan). "Oh, no, honey, I'm not a lesbian," Odette tells him chirpily. "I'm a alcoholic." Unfortunately, they have little to do with the main story. The Baptist-community satire is stronger here than any drama of self-discovery: Sissies, overall, preaches to the converted.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"