When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
In 2013, when Catharine Clark moved her eponymous gallery from 49 Geary to the Potrero Hill area, she gave herself more room to work with, including a dedicated media space that has shown indelible work by such artists as Shalo P ("The Bedroom Suite"), Nina Katchadourian ("In a Room Full of Strangers"), and Andy Diaz Hope and Jon Bernson ("Beautification Machines").
Cigarettes. Books. Acerbic aphorisms. (The kind Jean-Paul Sartre and BFF Holden Caulfield would have folded into fortune cookies.) Those are the basic ingredients of Hal Hartleys droll cinema of self-deprecating intellectualism and hipster sentimentality. If Hartleys fondness for bohemian touchstones seems so 20th-century today -- yo, bro, seen my Kindle? -- it was intentionally, willfully anachronistic back in the 1980s with his early works The Unbelievable Truth and Trust. Those wonderfully wordy movies were succeeded by Surviving Desire (1991), another portrait of brainy urbanites (a professor and his student, in this case) straining for romantic ideals amid the neck-deep compromises of post-Reagan capitalism. Steeped in old-fashioned notions of integrity and loyalty, Hartley's characters always seem out of time. From that perspective, it makes perfect sense that he would imagine Jesus Christ as a conflicted prophet in modern-day Manhattan in The Book of Life (1998). Both films feature the director's lanky alter ego, Martin Donovan, who once vowed (only half-joking) that he'd never work with Hartley again if he had to puff his way through a whole shoot.
Sept. 27-28, 7 p.m., 2010
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"