When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
The sinews of old San Francisco lie in the water: the posts standing in the Bay mud that supported the docks and piers where the shipping that made the city possible, and later allowed it to flourish, flowed.
Its a crime, frankly, that Pixar will shortly be salivating over a fifth Animated Feature Oscar at a time when Hayao Miyazaki, The Triplets of Belleville, Sin City, Persepolis, and Waltz with Bashir have reclaimed animation for adults. As the fourth S.F. International Animation Festival illustrates over five whipsawing days, this astonishingly pliable genre allows for every mode of storytelling. Todays lineup is typical, encompassing a joyful immersion in local artists Amy Hicks amusing stop-motion narratives and Nate Boyces manipulated video (Super Massive Suspension, 3:15 p.m.), choice European shorts from the continents premier animated film fest (The Best of Annecy, 5:45 p.m.) and the requisite late-night medley of head-bending music videos (Play It by Eye, 9:30 p.m.). Mizuho Nishikubo scores the prime-time slot with Musahi: The Dream of the Last Samurai (7:45 p.m.), an inventive, irreverent exploration of 17th-century Japanese swordsmanship and the military mind that tosses documentary, anime, and pure inspiration into a blender. Of course, the kids deserve their fix, too, especially after sitting bored witless through last years Up. Theyll lap up the endearing and rarely screened Alice cartoons (1 p.m.) Walt Disney made in the mid-1920s, before gold-plated statuettes started being handed out for kids' stuff.
Nov. 11-15, 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"