When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Never trust a group of 12 people who aren't smart enough to get out of jury duty and certainly don't trust a woman who wants to be on jury duty for the rest of her life. In the uneven Shove, we learn that recent juror Genette had a transformative experience convincing her fellow jurors that the defendant, Lowell, wasn't guilty of shoving a woman in front of an oncoming subway car. She's so proud of her accomplishment that she grabs her "peer," Sheldon, and tracks Lowell down to relive all the good times. The problem is that Genette has a thing for wacko loner psychopaths, and Lowell might just be crazy enough to murder someone. This is a show about the isolated, silently suffering members of the working class and the desperation of urban runaways who can't run away from themselves. It's fertile territory, and the best moments of Shove summon a compelling menace out of everyday activities giving a hug, waiting for public transpo. The director keeps things brisk, and the well-cast actors appear committed; the catch is that the playwright and the production can't find a consistent tone. Ostensibly, Shove is a dark comedy, but the comedic elements dissipate any dramatic stakes (and vice versa). Ultimately, we're not able to overcome our doubt reasonable or otherwise.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"