When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
If you're like us, and you appreciate the slap-happy singles style of Tony Gwynn to the deep-ball threat of Barry Bonds, then the shuffleboard table at Fly Bar on Larkin and Sutter is definitely your speed.
We've told you that the African-American Shakespeare Company (as its name suggests) likes to take familiar productions and turn them on their heads. That's worth reiterating because of the really cool ways it makes the familiar seem new. Last fall it explored the true meaning of beauty via Cinderella by making the ugly stepsisters drop-dead gorgeous women who do terrible (read: ugly) things to their downtrodden sibling. This time the company flips Shakespeare, with a production of Twelfth Night. The play is a comedy involving (surprise!) mistaken identity. A woman named Viola masquerades as a man in order to get a job. A woman falls in love with Viola, thinking she's a man. Viola, meanwhile, falls in love with her employer, who's not interested because he also believes she's a man. Viola also has a twin brother, who she believes is dead. Sound like something that should be set in San Francisco? It is. And it's also in the 1940s, with a film noir theme. The score was written by Bay Area jazz composer Marcus Shelby. Shelby says the experience has been much different than making a record because the music must be written to fit acting, movement, and set design. It's actually a very exciting process for a composer because everything is happening in real time and you have to respond, he says. In other words, familiar, but new. Sounds like a perfect fit.
Saturdays, Sundays, 3 p.m. Starts: April 3. Continues through May 1, 2011
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"