When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Rosin Coven is so Berkeley. With its penchant for puppetry, glamorous stage garb, ultra-exuberant theatricality, and endearing quirks (including a curious etymology fetish), the self-proclaimed "World's Premiere Pagan Lounge Ensemble" is a flamboyant performance troupe above all else. Which makes listening to its act sans the bright lights and bubbly drinks of the concert hall no small challenge. It's not that the songs on the big band's third CD, Menagerie,lack musicality (the dueling cellos, corpulent trombone, and operatic vocals provide plenty of meat on the bone) or imagination (picture Kurt Weill and Sister Sledge at Buckingham Palace). Indeed, the rollicking rhythms and hummable melodies of "March of the Modern Pagans" and the high-drama beat of "Beyond the Crimson Planet" could very well spur devotees to strut Cat in the Hat-style around the home-entertainment room. But the group's shtick tends to lean toward histrionics and a kind of earnest eccentricity that are best experienced live.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"