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Reps Etc. 

Commentary by Gregg Rickman ( Times compiled from information available Tuesday; it's always advisable to call for confirmation. Price given is standard adult admission; discounts often apply for students, seniors, and members.

We're interested in your film or video event. Please send materials at least two weeks in advance to: Film Editor, SF Weekly, 185 Berry, Suite 3800, San Francisco, CA 94107.


2128 Center (at Shattuck), Berkeley, (510) 464-5980, $9.25 save as noted. One of this venue's two screens is a "calendar house" for Landmark Theatres. A midnight series continues this week. For additional Act One/Two screenings, see our Showtimes page.

WEDNESDAY & THURSDAY: Nir Bergman's Broken Wings (Israel, 2002). See Ongoing for review 7, 9:10 p.m.

FRIDAY THROUGH THURSDAY (May 14-20): James' Journey to Jerusalem (Ra'anan Alexandrowicz, Israel, 2003). See Opening for review 7:15, 9:20 p.m.; also Sat & Sun 1, 3:05, 5:10 p.m.

FRIDAY & SATURDAY (May 14 & 15): A Jackie Chan comedy, Legend of Drunken Master (Chia-Liang Liu, 1994), more likely to figure in his legend than The Tuxedo. $7.50 midnight.


430 Emerson (at Lytton), Palo Alto, (650) 266-9260, $7.25 for this midnight series. For additional Aquarius screenings, see our Showtimes page.

FRIDAY & SATURDAY (May 14 & 15): Heads hit the fan in Stanley Kubrick's A Clockwork Orange (U.K., 1971). Prize drawings on Saturday midnight.


992 Valencia (at 21st Street), 824-3890, $5 save as noted. This venue offers all manner of strange and unusual video and film.

THURSDAY (May 13): The struggle against Batista's dictatorship is dramatized in Clandestinos (Underground, Fernando Perez, Cuba, 1987) 7:30 p.m.

SATURDAY (May 15): "Outlaw Nomadology," a program devoted to those living off the grid, commences with Bill Daniel's installation of 16mm projectors inside his 1965 Chevy "Sailvan," screening footage on his van's sails, outside the ATA, at 7:30 p.m. , followed by a screening inside (admission $5) of Daniel's Soul's Harbor, about folk who live by the water, and Dan Leighton's Wedding Train (2001), documenting two "gutter punks" who hop freight lines en route to their marriage 8:30 p.m.

SUNDAY (May 16): A benefit screening for Bay Area American Indian Two-Spirits (BAAITS) offers an unnamed "two-spirit film" to support this community-based volunteer organization. For more information, contact Sabrina Wolf at or 865-5616. $8 5 p.m.


Movie Palace Auction Sales Room, 2700 Saratoga (near West Red Line), Alameda, (510) 740-0220, $7. Classic films in 35mm (save as noted) screen in a former U.S. Navy theater.

FRIDAY (May 14): Peter Bogdanovich's ode to small-town Texas, Ben Johnson, and old movie theaters, The Last Picture Show (1971) 7, 9:30 p.m.

SATURDAY (May 15): George Lucas' panoramic American Graffiti (1973) offers testimony to small-town California, drag racing, and the belief that anyone can make a really good autobiographical film (but only one) 7, 9:30 p.m.

SUNDAY (May 16): The Last Picture Show 5 p.m. American Graffiti 7:30 p.m.


429 Castro (near Market), 621-6120, $8 save as noted. Short-run rep in a spectacular 1922 Greco-Roman-themed palace designed by Timothy L. Pflueger. Evening intermissions feature David Hegarty or Bill McCoy on the Mighty Wurlitzer.

DAILY: The original Japanese version of Godzilla (Ishiro Honda, 1954) screens through May 20. See Ongoing for review 2, 4:30, 7, 9:30 p.m.


2261 Fillmore (at Clay), 267-4893, or for this series. "Bling -- 8 Incredibly Random Tales," a midnight movie series, continues. For additional Clay screenings, see our Showtimes page.

FRIDAY & SATURDAY (May 14 & 15): Johnny Depp takes a pass at impersonating the sensory-underdeprived journalist Hunter S. Thompson in Fear and Loathing in Las Vegas (Terry Gilliam, 1998), a louche lounge act that runs third behind Doonesbury's Uncle Duke and Bill Murray's work in Where the Buffalo Roam. On Saturday night, a Hunter S. Thompson's Badminton Freak-out midnight.


3601 Lyon (at Richardson), 563-7337, Free with museum admission of $12. Screenings are in the center's McBean Theater, through the front doors and on the left.

SATURDAY (May 15): A two-week "Science as Art" film series screens Carson Davidson's 100 Watts, 120 Volts (a light bulb is constructed to the tune of the Third Brandenberg Concerto) and Alberta Chu's Electrum (2001), documenting the construction of the world's largest tesla coil 2 p.m.


2534 Mission (between 21st and 22nd streets), 648-7600, Free with meal. This restaurant screens foreign films, usually in 35mm, on the back wall of its outdoor patio, with drive-in speakers available for the tables of those who want to watch while they dine.

WEDNESDAY THROUGH SUNDAY: The Animatrix (2003), a group of short cartoons set in the Wachowski Brothers' Matrix universe and markedly superior to either of 2003's sequels 8, 9:30 p.m.; also Fri-Sun 11 p.m.

MONDAY: Closed.

STARTS TUESDAY: Photographer David Hemings seeks proof in his proofs in Blowup (Michelangelo Antonioni, U.K., 1966), screening through June 6 8:15, 10 p.m.; also Fri-Sun 11:45 p.m.


530 Bush (at Grant), 263-8760. The place to go for German cultural events. $5.

TUESDAY (May 18): A "Young Turks" series continues with We Forgot to Go Back (Fatih Akin, Germany, 2000), a documentary on the filmmakers' relatives in Hamburg and Turkey 7:30 p.m.


425 Washington (at Battery), Suite 200, 788-7142, The Istituto Italiano di Cultura promotes Italian language and culture in Northern California with occasional film screenings. Free.

TUESDAY (May 18): A Gabriele Salvatores series continues with Sud (Italy, 1993). No subtitles 6:30 p.m.


3125 16th St. (at Valencia), 863-1087, $8 save as noted. Popular holdover programs from the "big" Roxie two doors down. Call ahead to see if the scheduled film is actually continuing, as movies play here in an open-ended run.


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