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A holiday treat that reminds us that wisdom often lies just on the other side of hardship

It's Christmas Eve, and Rachel, a loving mother and wife, has just discovered that her husband has taken a contract out on her life. This realization causes her to step out the window — literally — and into a new life, where the only permanence is impermanence and "home" is wherever she can find it. Reckless examines the nature of identity: What happens to someone whose life is defined by family when she loses that family? Playwright Craig Lucas considers how we construct our sense of self in a series of rapid-fire, increasingly surreal scenes with the soft, psychoanalytic feel of Marc Chagall paintings. Bill English's pastel set and Jon Retsky's dreamlike lighting help illuminate Lucas' themes and tell the story of Rachel's yearlong journey. The cast is strong and clearly believes in the script. Mark LaRiviere, playing both Rachel's husband and her son, brings a convincing, angsty charisma to the stage. Rod Gnapp reveals impressive technical excellence and adds subtle emotional layering to Lloyd, a stranger who becomes an adopted father figure. Susi Damilano, as Rachel, is both attractive and compelling, finding truth in all the shades of her character and reminding us that wisdom often lies just on the other side of hardship. Reckless is a holiday treat. — Frank Wortham


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