When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Nob Hill Theatre, the all-genders-welcome male strip club, is holding it down on Bush Street, and after several decades of D, it's still S.F.'s only place to see full-frontal guys up close, seven nights a week (for $20).
The great ocean deep proves a natural canvas for Japanese animation legend Hayao Miyazaki (Princess Mononoke, Spirited Away), whose latest feature riffs on Hans Christian Andersens classic tale of The Little Mermaid, albeit with the distinctly Miyazaki-an twist that the mermaid princess is an anthropomorphic goldfish with magical powers, and her handsome prince is a five-year-old schoolboy still in full possession of his baby teeth. The advance word on Ponyopresented here in an English-dubbed version adapted by E.T. screenwriter Melissa Mathison and supervised by Pixar guru John Lasseterhad suggested that the film would mark a conscious return by its director to the gentler, more kid-friendly style of movies like My Neighbor Totoro and Kikis Delivery Service, and while that may be the case, the appeal of Ponyo is hardly limited to the Romper Room set. Its a movie for anyone who, like Miyazaki himself, can still happily commune with his inner five-year-old. Like much of Miyazakis work, the film carries an unsubtle environmental message about the littering and overharvesting of the ocean. Yet, as he glances at the world once more through a childs wide, unspoiled eyes, Miyazaki seems to find hope for renewal.
Sun., Nov. 29, 2, 4:15, 7 & 9:15 p.m.; Mon., Nov. 30, 7 & 9:15 p.m., 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"