When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Nicole Holofcener's fourth feature is, for the most part, witty and engrossing. Kate (Catherine Keener) and Alex (Oliver Platt) are bourgeois grave-robbers, stocking their West Village "vintage furniture" store with mid-20th-century pieces bought from the distracted children of the recently dead. Elaborating on their ghoulish realpolitik, the couple has purchased the apartment next door and is only waiting for its 91-year-old inhabitant, Andra (Ann Guilbert), to expire so that they might expand their domain. Kate and Alex have a chubby, zit-plagued adolescent daughter, Abby (Sarah Steele); Andra is looked after by her two grown grandchildren, dutiful Rebecca (Rebecca Hall) and selfish Mary (Amanda Peet). Briefly brought together to celebrate Andra's birthday, the two families merge with and mirror each other in unexpected ways. Please Give is neither as unsentimental as it sounds, nor as sentimental as it might have been. The movie is filled with banter, typically concerned with three subjects (money, old age, life in New York). Generally, Holofcener is a stronger writer than director, with a greater gift for riffs than characterization. Her strongest comic creation is Andra, played by Guilbert as an irascible, ignorant, self-assured sourpuss. Keener has the toughest part: Kate is a canny business operator paradoxically cursed with a bleeding heart. Too sensitive for the volunteer social work she imagines she should perform, there's nothing dreamy about Kate's yearning or charming in her weakness. Her liberal guilt is about as convincing as Holofcener'sï¿½which may be an example of the movie's perverse honesty.
May 7-13, 2010
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"