When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Like a bottled message cast from the shores of an economy whose implosion precipitated our own, Kiyoshi Kurosawas Tôkyô Sonata centers on Ryûhei (Teruyuki Kagawa), a 46-year-old middle manager for a health-care equipment company who learns that his entire department is being outsourced to China. Like this similarly downsized businessman of Laurent Cantets Time Out, Ryûhei guards the news from his wife, Megumi (the excellent Kyôko Koizumi), continuing to don his suit and tie for a daily triathlon of dead-end job interviews, soup-kitchen lunches, and afternoons whiled away at a public library. Meanwhile, Ryûheis youngest son, Kenji, a bright-eyed sixth-grader, pockets his lunch money to pay for the piano lessons to which his dad has firmly said no, and, in a further affront to Ryûheis already fragile masculine authority, eldest son Takashi calmly announces that hes joining the U.S. military. Like that most revered of Japanese directors, Yasujiro Ozu, Kurosawa (whos best known for his series of supernatural horror films) here uses the microcosm of family to reflect a changing Japanese societyone that he sees staggering awkwardly into the 21st century, weighed down by faltering notions of tradition and a profound lack of internal communication. Fittingly, when hope arrives, it does so guised in chaos, and we, like the characters on screen, perk up our heads to glimpse it.
March 27-April 2, 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"