When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
An inconspicuous doorway off Valencia Street leads to a treasure trove of zines and 10,000-plus hours of sound and video recordings from the 1960s to the 1990s, all charting the progressive history of the Bay and its effect on global radical movements.
Zeum, Yerba Buena Gardens, 221 Fourth St. (at Howard), S.F.
Through March 16
Admission is $7.50-15
Ibsen's epic about a self-aggrandizing scoundrel who grows old without growing wise is nearly impossible to stage, but usually worth seeing anyhow. (Ibsen wrote it for readers, not for playgoers; a full production would last almost six hours.) ACT dramaturge Paul Walsh has adapted the original verse into a three-hour prose play, a translation that sometimes curls into rhyme and sometimes sounds playfully colloquial, but has the virtue of going mostly unnoticed. In this ACT Conservatory production there are two Peers: Sky Soleil as the young rebel who kidnaps Mads Moen's bride from the wedding, and Ryan Farley as the sophisticated world traveler who once dealt in American slaves. Both actors have excellent solo scenes. Soleil does well in an encounter with an unseen character, near the beginning; Farley has an effective onion-peeling speech near the end. Farley stands out as a clear stage presence -- he's nuanced, natural, and charismatic. Saba Homayoon also does vivid work as a troll tramp and as Anitra, the Arabian princess. Parts of the show feel like the student production it is -- they lack urgency -- but it's a rare M.F.A. class that can even think about Peer Gynt. This version never stalls completely, and Jennifer Charles' singing as Solveig is actively beautiful.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"