Berlin-based producer Hendrik Weber, best known for his work as Pantha du Prince, makes the melodic tech-house equivalent of a time-lapse nature documentary. Weber's studies in resonance unfurl delicately, deliberately, on an innate schedule where every tone adds to the ecosystem. The ambiance is autumnal and subdued; there are no harsh, glaring elements. Soft, static-fringed bass lines and breezy synth pads form an environment nourished by bell tones, chimes, xylophones, and other percussive instruments. Live, Weber detunes his bass into more of a growl and thickens his skittering percussion, but he still delights in exploring blissed-out, crystalline melodies.