When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
It's hard to talk about Ozomatli without coming off like some chai-drinking, dashiki-wearing boho hipster. To wit: Street Signs' socially conscious, knock-you-on-your-ass party grooves are a blend of hip hop, funk, Latin, and Middle Eastern flavors that compel earnest white people like myself to use words such as "global block party." Set amidst an inspired cameo from Latin jazz visionary Eddie Palmieri, Nusrat Fateh Ali Khan samples, and wailing Santana-style guitar solos, the title track alone demonstrates the sheer force Ozomatli is capable of. Opening with a sweet salsa keyboard motif, the song builds on a sick syncopated rhythm, then modulates into a synthesized snare beat, then segues effortlessly into sparse, bass- and scratch-heavy old-school crunk. Still, the MCs rhyme, "There's more to this track than a kick and a snare." Damn straight. There are soaring vocals, fluid rhymes, and a barrage of brass and percussion that manage to, despite all the ingredients, not sound like too many cooks in the kitchen. Now fetch me my dashiki.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"