When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
The immortal moment came decades ago: a long-suffering fan already, at 8 years old, slumped against a rail at the ballpark for what could be the last time, defeated on the field and off of it, where the Giants were planning to possibly decamp from Candlestick Park to Florida.
If San Francisco were a woman, shed be Kitten on the Keys: a coquettish fag hag with twirling tassels, sweeping vistas, and a raunchy rapier wit borne upon tinkling ivories. As such, artist Suzanne Ramsey received the highest honor a local can hope for: She was sainted by the Sisters of Perpetual Indulgence. Mainstream media tastemakers like E!, HBO, IFC, and Bravo have also succumbed to her charms; recently, cinematic bon vivant Mathieu Almaric (The Diving Bell and the Butterfly and Quantum of Solace) approached her to portray the MC of a burlesque troupe in his new film. So its sure to be springtime in Paris for Ramsey, but not before she highlights her hometown roots in Does This Piano Make My Ass Look Big?, Kitten on the Keys first one-maam show, which, like most of her work, is autobiographical. Despite corrective shoes and braces, a young girl from Walnut Creek dodges the pitfalls of pig farming, poor body image, and addiction by crossing the Bay Bridge and plunging into a world of fornicating plushies, toe-loving shrimpers, pony people, leather daddies, and overcozy folks on Muni. Somewhere between the interpretive liturgical dance and the song about Ramseys geriatric punk boyfriend (He has hepatitis C/Wakes up lots to pee), you will assuredly fall in love.
April 4-5, 8 p.m., 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"