When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
For someone who lives in the downtown corridor — all right, the Tenderloin — the idea of going to Ocean Beach for pizza is rife with potential pratfalls: high Uber fares, lengthy Muni trips, ever-present fog, jet lag.
Well-worn irony is still the de facto tone for many stand-up comedians, while the Internet and Adult Swim have championed a type of comedy that resides somewhere between Dada and Jackass. Bearing that in mind, it may appear that there isn't much demand for an old-school observational comedian. And while it's true that observational comedy is in a fallow period, comics like Chris Porter endure, trying to rehabilitate the form after years of hack stand-ups who pandered to the lowest common denominator. He succeeds thanks to a down-home style honed in his native Midwest, lending him an affable air even when he gets rough. Porter may be down-home, but he's no idiot, and he kills with the wry wit familiar in the flyover states. Though he's now sober -- a frequent topic in his act -- there's still a hint of the loopy stoner's cadence and sensibility in Porter's jokes. It's an approach that's working out: He was a finalist on season four of Last Comic Standing, and he makes regular appearances on The Bob and Tom Show and Live at Gotham. He recently appeared in his own Comedy Central special, the proverbial brass ring for struggling stand-ups. Despite the observational style becoming something of an anachronism, Porter is ascendant, demonstrating that there's still life in the form.
Oct. 27-30, 8 p.m.; Oct. 29-30, 10 p.m., 2010
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"