Mitchell recalls growing up with this pornographic dynasty, and the circumstances surrounding her father's death, in her new solo show, The Pornographer's Daughter.
How did growing up around that industry shape your perception of it?
That's the bulk of [the play]. I think it's kind of the backlash. My parents were really free-loving and radical, but I had a hard time coping with that as a kid. I've always been a late bloomer. For me, growing up in that world caused me to be a lot more inhibited.
The Mitchell Brothers changed the nature of adult films and their theater was visited by everyone from Hunter S. Thompson to Dianne Feinstein. Were you aware of the impact they were having at the time?
I was definitely aware that my father and the Mitchell Brothers made a big impact on San Francisco. It really wasn't until after my father was killed and there were worldwide reports on it that I realized what a bigger impact they had on the industry in general. There was kind of an understanding that my father wasn't an average person, but it wasn't like he was an Erik Estrada or anything. I knew he was known, but it didn't register to me, because it was an adult world.
Dianne Feinstein though, I don't believe she ever went into the O'Farrell. She just spent a good amount of time trying to get it closed. She definitely didn't hang out there.
Is it true that your father once put her number on the marquee?
He did do the phone number gag, because the vice squad was on them. They had some mole at the mayor's office who was able to get her personal phone number and they changed the marquee to: "For Showtimes, Call Mayor Feinstein." I'm sure my father would roll in his grave though, because I voted for her. Twice.
Did you have any sort of reconciliation after your uncle's release from prison?
No. He never sought forgiveness, and never expressed remorse to me. Honestly, I was never that close with him, even before he killed my dad. He wasn't a very warm person. There was no relationship with him, other than veiled hostility from his side, but so it goes.
But I don't want to give the impression that the play is about the murder. Certainly, it's part of the story, but it's more of a family drama and a coming of age story. It's a fun piece in a lot of ways.
Visit sfweekly.com for the full interview.