When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
The great boundary-crosser of Iranian cinema, Bahman Ghobadi purposefully steps over the line with No One Knows About Persian Catsa quasi-documentary, highly unofficial panorama of Teheran's tenacious underground music scene and a movie which has accrued additional urgency since its first public screening at Cannes last May. Ghobadi's co-writer, journalist Roxana Saberi was freed from Evin Prison on the eve of Persian Cats's premiere; his assistant director Mehdi Pourmusa is currently confined there, arrested last month along with filmmaker Jafar Panahi. The movie's protagonists, indie rockers Negar Shaghaghi and Ashkan Koshanejad, have since left Iran, as has Ghobadi. Negar and Ashkan play themselves as recently imprisoned performers speeding around Teheran on the back of a motorbike in a frantic attempt to secure travel documents and recruit a rhythm section for a gig in London. The movie tours what Ghobadi calls a "hidden world of rebel musicians," as well as bootleg DVD and fake passport hustlers, with visits to assorted crash pads and basement music clubs. Persian Cats is likeable but undistinguished filmmaking and the performers are a mixed bag of metal bands, traditional ensembles, rap artists and buskers. None seem nearly as political as the former Czechoslovakia's legendary Plastic People of the Universe; the closest thing here to a rock'n'roll manifesto is the acid trance assertion, offered in English, that "dreaming is my reality." Of course given that everything the movie showsincluding two women singing a folk songis illegal, bravado is a given.
April 23-29, 2010
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"