Walk That Walk There's something for every taste at "Introductions/A Summer Evening Art Walk," from trompe l'oeil paintings and shadowy black-and-white photographic landscapes to oversized steel sculptures and intricate glassworks. (Local restaurants and wineries will provide toothsome delicacies as well, but never mind.) As they crawl from one downtown gallery to the next, browsers will find work by established types like Robert Motherwell and Roy Lichtenstein (at Meyerovich Gallery) along with the emerging artists of this month's "Introductions" series -- look for the next Enrique Chagoya, who debuted through the series. The free walk takes place from 5 to 9 p.m. at various San Francisco galleries, although organizers suggest beginning at City Hall's Lower Level Gallery for the San Francisco Art Dealers Association group show; call 512-0335 for a map of participating venues.
Fight for Your Right to Plie Dance took a big hit locally when building subleaser Keli Norton Fine raised the rent by so many thousands of dollars that an architecture firm has displaced the former tenants at Brady Street Dance Center, a practice and performance space home to hundreds of dancers from local companies. After that recent debacle, it's heartening to find that Summerfest/Dance 1999 is a) still happening, and b) now being staged under the auspices of a nonprofit group. The three-week festival, a tonic to the dry days of post-season dance, has presented more than 100 choreographers since it began in 1992, and will present more than two dozen more, soloists and companies, doing ballet, tap, jazz, contact improv, and experimental modern to anything from baroque music to new commissioned live scores. The festival opens at 8 p.m. with performances by Janice Garrett, Mercy Sidbury, Charles Moulton, and others (and continues through July 25 with various performers) at the Cowell Theater, Fort Mason, Marina & Buchanan, S.F. Admission is $12-15; call 441-3687.
Children By the Million ... wait for Alex Chilton, as the Replacements put it in their gem of a tribute song, which did justice to Chilton's own admirable, if neglected, catalog. The kids these days could be forgiven for never having heard of Chilton at all -- it's been a long time since Big Star's '70s implosion, and longer still since Chilton was the Tennessean teen prodigy of the Box Tops. Despite a swipe at rockabilly with Panther Burns, and the Rhino rereleases of Big Star's best ("September Girls," "Big Black Car") and then some, Chilton is still laboring in semiobscurity, sharing his sunny pop songs, bittersweet ballads, and the rollicking blue-eyed soul of later releases like A Man Called Destruction with modest but adoring crowds. Adam Elk opens for Chilton at 9 p.m. (and Blue Sky Roadster opens at 9 p.m. Friday) at Bimbo's 365 Club, 1025 Columbus (at Chestnut), S.F. Admission is $20; call 474-0365.
Top Brass South African trumpeter/composer Hugh Masekela helped craft the 1985 anti-apartheid musical Sarafina! to protest the violence roiling in his country, but a musical about Masekela's own life has yet to be made. It could be a good one, too, with a soundtrack something like Masekela's most recent album, Black to the Future, and its soulful confluence of jazz, African roots music, and South African mbaqanga. Masekela's playing echoes the days he toured with the cast of King Kong and the terrible night he was ordered to keep blowing his horn at a farewell dinner as gangsters staged a murderous revenge attack on 17 Soweto men. His playing was shaped by American jazz greats like Dizzy Gillespie, who helped him resettle in the States; by pop-star collaborators Fela Kuti and Paul Simon, and his former bride, singer Miriam Makeba; and by the 100,000 African fans who once turned out to see the banished musician and outspoken opponent of apartheid play a Christmas Day concert. Masekela plays at 8 and 10 p.m. (also Saturday) at Yoshi's, Jack London Square, 510 Embarcadero West, Oakland. Admission is $21; call (510) 238-9200.
If It's Saturday, This Must Be Berkeley Taking a cue from Prairie Home Companion, comedian Johnny Steele has devised an old-fashioned traveling cabaret that departs from the big-city comedy scene and plays to the suburbs. Steele, a veteran stand-up comic and the former host of Live 105's morning show, found in his travels that suburban audiences, though less disposed to the edgy stuff, seem more enthusiastic just to have a show. With that in mind, The Big Mook Summer Variety Road Show will scout out local celebrities (authors, athletes, actors) from each town to interview onstage, and test attendees' knowledge of their community's lore in a comic game-show quiz. Steele hosts the show, which includes sketch comedy group Meehan, Myself, and I, live music by house band the Coovers, and sidekick shtick from Steele's former radio co-host, Ray Casey, whose new job is producing Darian O'Toole since he and Steele were replaced by Howard Stern in a CBS takeover of Live 105. Big Mook begins at 8:30 p.m. at the Julia Morgan Theater, 2640 College, Berkeley. Admission is $10-12; call (510) 540-7457.
Lucky Brakes Niko Letunic and Richard Lynch look at bicycles and see more than just transportation; Letunic saw opportunity and adventure when he signed himself up for the grueling California AIDS Ride, while Lynch saw something like a pal when he named his bike Friday and pedaled it through Italy. Both saw the potential for whimsical two-wheeled invention when they curated the group show "Art by Bicyclists and Bicycle-Friendly Art." The 24 participating artists, 11 of whom are S.F. Bicycle Coalition members, shared their vision, and have rendered bikes in every conceivable medium: stained glass, mosaic tile, watercolor, sunprint, photography, and collage. There will be valet bike parking at a reception for the exhibit at 12:15 p.m. (the show is up through July 30) at the Unitarian Church Art Gallery, 1187 Franklin (at Geary), S.F. Admission is free; call 431-BIKE.
Sex, Drugs, and Satan, Satan, Satan! Great comedy often comes from the most well-intentioned and unsuspecting sources. Take the Mormon Church: Its 1966 film How Do I Love Thee? is an instructive guide to chastity before marriage, while its 1971 film For Time or Eternity offers an eye-opening glimpse of the eternal damnation awaiting couples who marry outside the temple. So what's funny about that? Sets, costumes, music, script. As curators of the Minna Street Gallery Sex and Religion Film Festival have wisely reasoned, you're going to hell for laughing at the Latter-day Saints anyway, so why not seal the deal with a double feature? The program "The Mormon Church Explains It All To You" screens with "Stag Party Special: A Delightful Evening of Vintage Smut," which promises rarities like How to Keep a Husband (attributed to Ed Wood) and Hokum the Magician, a stag film given the Man Ray treatment. The films screen at 8 p.m. at 111 Minna Street Gallery, 111 Minna (at Second Street), S.F. Admission is $5; call 974-1719. On Monday, Minna offers "Cartoons From Hell: The Devil in Animation" (God battles Satan with jazz!) and the self-explanatory "Teen Trauma Educationals: Sex, Drugs, and VD," with Brady Bunch star Maureen "Marcia" McCormick as a high school slut. The same place, time, and price apply.
HullaBelew What the Talking Heads, Paul Simon, Robert Fripp, Peter Gabriel, David Bowie, and Frank Zappa share, besides a reputation for charting new musical territory in the '70s and '80s, is collaboration with singer/guitarist Adrian Belew. Zappa discovered him in a Nashville nightclub, took him on the road, and introduced him to a few friends; on a Talking Heads tour, Belew met guitarist Fripp, with whom he formed King Crimson. Musicians especially gravitated toward their textural, twin-guitar art rock, although the musically challenged could at least appreciate the wry sense of humor in a seemingly endless instrumental called "When I Say Stop, Continue." Since Belew has tried everything from jazzy man-on-the-street interviews to singing with his daughter Audie, the last thing he could try might also be the bravest: He's gone acoustic. The Irresponsibles open for Belew at 8 p.m. at Slim's, 333 11th St. (at Harrison), S.F. Admission is $15-17; call 522-0333.
Garden Party So it's not mint juleps and Spanish moss, but wine and live atmospheric jazz in a parkside setting should help transport listeners when author John Berendt reads excerpts from his best seller Midnight in the Garden of Good and Evil. Based on a true story and recently released in paperback, Evil concerns a Manhattan journalist who travels south to write a puff piece on Savannah socialites, only to stumble on book material after a local bon vivant commits murder. The book's parade of oddball characters against a lazy Savannah setting (made lazier, some critics contend, by Clint Eastwood's film adaptation) is a natural for a summer evening reading (sponsored by A Clean Well-Lighted Place for Books); bring a picnic and questions for Berendt's post-show Q&A session with the audience. The reading begins at 6 p.m. in the Shakespeare Garden, Golden Gate Park, S.F. Admission is free; call 441-6670.