When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
You may measure your true 415 cred by the amount of times you've strolled into the diner that "never close[s]" (as the sign says), sidled up to the bar, ordered a drink, and received a shot of ouzo on the house — without blinking, looking sideways, or feeling the need to keep an open line to flee for the exit.
Despite the biodoc implication of its title, Bhutto is not just a portrait of the late Benazir Bhutto, but also a chronological recap of Pakistan's anarchic history. Duane Baughman's nonfiction film pays reverential tribute to Bhutto, who, after the 1979 execution of her prime minister father, became the first woman elected to rule a Muslim state and assumed her paterfamilias' mantle as the country's leading proponent of democratic government, an agenda stymied by a military apparatus increasingly bent on hard-line Islamic law. Baughman somewhat sketchily addresses the charges of corruption and strategic miscalculations leveled against Bhutto, in part by occasionally leaning too hard on the fond talking-head commentaries of friends and family. Nevertheless, the director's lionization of the prime minister who was assassinated in 2007 after eight years in exile is bolstered by Bhutto's stirring archival-footage calls for a more just society, as well as by an extensive itemization of Pakistan's ceaseless tumult. Contextualizing the prime minister's rise to power within a larger portrait of a nation under constant internal and external siege, Bhutto conveys a forceful sense of tectonic social and geopolitical shifts, as well as the courageous, heartbreaking personal sacrifices its subject made in service to both her homeland and ideals.
Jan. 7-20, 2011
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"