When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
If you're like us, and you appreciate the slap-happy singles style of Tony Gwynn to the deep-ball threat of Barry Bonds, then the shuffleboard table at Fly Bar on Larkin and Sutter is definitely your speed.
We don't often go out of our way for restrooms, but in the case of Macy's sixth-floor ladies room (sorry guys: you'll just have to make do with having everything else), all who pass through its doors will understand why it's worth the effort.
It's rare that an album of historic import upon its initial release remains so decades after the fact, but 1956's 'Round About Midnight is a rare album indeed, one thatcommemorates a few milestones (no pun intended) in the stellar career of Miles Davis. Davis had been at the forefront of the bebop and cool periods, both once-controversial movements in jazz; his recordings with the indie label Prestige saw him become a star, and then he signed with the major Columbia, helping garner international acclaim beyond the jazz scene. Midnight was simultaneously a summation of Davis' synthesis of the hot 'n' cool schools and an introduction to a direction culminating years later with the watershed Kind of Blue. Both Davis and his tenor saxophonist, John Coltrane, were starting to explore a different manner of expression -- the former, a muted (figuratively and literally), spacious, haunting lyricism; the latter, an angular, full-bodied tack with a tone both warm and steely. The "classic" nature of Midnight has been augmented by the inclusion of a bonus disc of previously unissued live recordings (in Pasadena!) from '56, presenting a slightly rawer edition of Davis' then-quintet performing standards (which would in a few years be abandoned entirely in favor of originals). 'Round About Midnight is primo acoustic jazz no domicile should be without.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"