When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Because not everyone can shell out a week's worth of rent on the edible art of a hand-tweezed tasting menu, veteran restaurateur Kash Feng (owner of Michelin-starred Omakase) and consulting chef Shin Aoki (formally of Michelin-starred Kaigetsu) bring you Okane — legit Japanese fare for epicures of the 99 percent.
Most of our smartphones contain digital cameras that rival the best that money could buy less than a decade ago. We often pay hundreds of dollars for these devices. And what do we do with them? Filter our 8-megapixel masterpieces through apps such as Hipstamatic and Instagram, to lend that elusive “shitty camera” sheen of yesteryear’s cheap point-and-click models. It makes a persuasive case for Devo’s grand theory of devolution — as a race, we’re going backward. But whether the trend toward faux-distressed photos with blown-out colors is mindless fun or the worst kind of kitsch, the results definitely lack the authentic charm of photos taken with a real, bottom-shelf, analog camera. Said cameras are becoming harder to find, but RayKo gallery director Ann Jastrab must have a secret stash, which she dispatched for “the International Juried Plastic Camera Show,” an exhibition of “the best images from the worst cameras.” From a slew of entries, RayKo curated 100 photos taken by professionals such as Robert Holmgren, proving that a talented photographer can capture an indelible image using any lens, and that no sophisticated image-processing algorithm can match the warm, serendipitous imperfection of analog.
Tuesdays-Sundays. Starts: Jan. 18. Continues through March 6, 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"