When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
There are a number of reasons why you should see a show at The Regency Ballroom — its ornate, turn-of-the-century architecture and eclectic lineup of performers, to name a few — but no reason is more compelling than the venue's ample seating.
Without the wonders of obscure VHS tapes discovered in thrift stores, dumpsters, and abandoned houses, we wouldn’t have the unique comic style of Tim and Eric, recent “found footage” films like Chronicle (pretty good) and V/H/S (pretty terrible) — nor, more importantly, would we have the roving annual fantasticness of the Found Footage Festival. Without the FFF, we wouldn’t have the stupendous 2011 documentary Winnebago Man, the story of Jack Rebney, RV pitchman, and the world’s angriest flubber of lines. In that film, director Ben Steinbauer becomes obsessed with viral videos of Rebney sourced from VHS tapes that were widely circulated long before they were posted to YouTube. The infectious obsessiveness that led Steinbauer to make Winnebago Man might also be attributed to the trio behind the Found Footage Festival. Since 2004, instructional videos, outtakes, obscure music videos, public access footage, misbegotten PSAs, and other oddities have been fodder for Joe Pickett, Nick Prueher, and Geoff Haas’ touring show, which combines screenings, live commentary by comedians, and special appearances by invited guests. The festival hovers between a live variation of Mystery Science Theater 3000 and channel-changing at the tail end of an all-night bender. Expect sell-out crowds.
Dec. 14-16, 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"