When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
An inconspicuous doorway off Valencia Street leads to a treasure trove of zines and 10,000-plus hours of sound and video recordings from the 1960s to the 1990s, all charting the progressive history of the Bay and its effect on global radical movements.
Start with some black lines drawn on a piece of paper. Cut them up. Rearrange them. Collage the scraps onto canvas and add paint. Voila, art! Sounds simple, right? The type of work that a casual observer might see in a museum and say, "My kindergartner could do that." Except that we'd like to see the kindergartner who could create paintings with the kind of crackling kinetic energy that Judith Foosaner does using that exact collage-and-paint technique. The seven recent paintings the local artist has on display in the show "Breaking and Entering" don't have a lick of color in them beyond black and white, but with that deceptively simple palette, Foosaner crafts abstractions that have the power and flow of Asian calligraphy (one of her major inspirations). The shapes in her pieces Remain and Edge seem to tumble down the length of their tall canvases, picking up speed as they go, while the paintings in the "Breaking and Entering" suite possess an imposing physicality whether on surfaces large or small. With a few very notable exceptions, abstract expressionism has historically been a man's world, but Foosaner carves out a place for herself with work that is reminiscent of the lyricism of another great female abstractionist, Lee Krasner. Like Krasner, Foosaner knows exactly where she wants to put her lines.
Tuesdays-Saturdays. Starts: July 7. Continues through Aug. 24, 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"