When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
If you're like us, and you appreciate the slap-happy singles style of Tony Gwynn to the deep-ball threat of Barry Bonds, then the shuffleboard table at Fly Bar on Larkin and Sutter is definitely your speed.
The apocalypse has arrived, not with a bang but with the whimper of wind whistling through tall grass, in Kaneto Shindo’s mesmerizing 1964 fable, Onibaba (The Hole). An unflinching tale of wartime survival and carnal hunger, this impeccably composed black-and-white film insinuates us into the company of two rural women -- a hardened spitfire and her acquiescent daughter-in-law -- who sustain themselves by ambushing and robbing injured samurai, then dragging the stripped bodies to the titular pit. The return of a neighboring man from far-off battles upends their routine, and triggers a host of base impulses. Shindo took an old Buddhist parable, substituted sex for prayer, and created a film with contemporary relevance that also (for those inclined to look) summons the specter of Japan after Hiroshima. The last of a three-film mini-tribute to the marvelous Japanese writer-director, who died earlier this year at 100, Onibaba leaves us shuddering in recognition of the injuries we inflict on ourselves through selfishness and panic.
Thu., Aug. 23, 7:30 p.m.; Sun., Aug. 26, 2 p.m., 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"