When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
It's ironic that the big zinger for Kronos Quartet's latest CD -- teaming up with famed "Queen of Bollywood" vocalist Asha Bhosle -- is actually its weakest link. While longtime fans naturally expect the S.F.-based classical-music innovators to push the genre's parameters, this 100 percent classical-free stab at so-called hipster chic (one can imagine violinist and producer David Harrington prodding his bandmates: "C'mon, guys! It's fun!") takes some getting used to. The group's collaboration with Bhosle on songs by her late husband, soundtrack composer R.D. Burman, features a bit too much cheese (a Bollywood trademark, I know) that makes the production feel geeky in its overzealous attempt at multicultural pop cool. And the singer's mellifluous presence tends to soften Kronos' edgy appeal. Granted, Harrington's arrangements are far from boring -- the rhythmic crosscurrents on "My Lover Came Silently" and "Love, Come to Me Now" in fact lean toward compelling -- but this has more to do with the quartet's give-and-take with virtuosic percussionist Zakir Hussain than its partnership with Bhosle. Ultimately, there's just too much singing on this disc, and too little Kronos.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"