When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
You may measure your true 415 cred by the amount of times you've strolled into the diner that "never close[s]" (as the sign says), sidled up to the bar, ordered a drink, and received a shot of ouzo on the house — without blinking, looking sideways, or feeling the need to keep an open line to flee for the exit.
Comprised of singer Laurie Hall (Ovarian Trolley, Hallflowers) and keyboard/multi-instrumental whiz Eric Drew Feldman (who has played with or produced Sparklehorse, the Pixies, the Residents, etc.), Knife & Fork is the Bay Area's very own saturnine Sonny & Cher. Hall has an attractively distinctive, stately, and soulful voice with a plaintive vibrato -- imagine a cross betwixt the Cocteau Twins' Elizabeth Fraser and PJ Harvey. Feldman contours Hall's tormented tapestries with a dense, virtually orchestral setting (almost Phil Spectorian, even) and chilly, inexorable rhythms. Setting them apart from (and above) their gloomy peers is the range and creative, restrained fervor of Hall's singing (note the gospel touches on "The Last Rites" and "Wild" and the queasy vocal overdubs decorating the martial-sounding "Fire") and the pair's use of "traditional" instrumentation (Carla Kilstedt's violin, Tim Mooney's drums, Terry Edwards' muted trumpet, the great Joe Gore's guitar). Aside from an overreliance on similarly measured tempos throughout, Misery Cord is the perfect item to keep one from getting too contented.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"