When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
With the storm clouds of revolution apparently gathering just beyond their gates, and the doldrums of decorum weighing heavily on their souls, a fictional British royal family goes slumming among life-loving commoners and comes home feeling inspired. This 1935 divertissement, conceived by playwright Moss Hart and composer-lyricist Cole Porter while on a five-month luxury cruise with their famous friends, is the show that 42nd Street Moon started up with in 1993, revisited to much acclaim in 1997, and has very winningly brought out once again. If this Eureka Theatre production doesn't affirm the endurance of Depression-era musical farce, nothing will. Director Greg MacKellan gives his committed cast — including Megan Cavanagh, Michael Patrick Gaffney, Juliet Heller, and Andrew Willis-Woodward as the wayward royals — some fun bits of business to play with, and Tom Segal's ambitious choreography goes well beyond mere jutting elbows and jazz hands. If you're someone who still hopes for a good Porter-Hart musical, it's just what you'd hope: swift and fizzy and quippy and quite fun to be with.
Nov. 25-Dec. 13, 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"