When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Nothing caps off a nice day at the beach like a mouthful of sand — especially if the grit in your teeth is the reward for the grit required to splay flat-out on your stomach, for the prize of a plastic disc in your hand, and all the glory that comes along with it.
In a broken world not unlike our own, the state corrals a group of teenagers into a tightly controlled terrain and compels them to murder one another with an assortment of weapons until there's a sole survivor. Such is the plot of Hollywood's second-highest-grossing film of 2012, but also of a 12-year-old genre mash-up from Japan, which receives its belated theatrical premiere just in time to stoke side-by-side comparisons. (Author Suzanne Collins says she encountered 2000's Battle Royale only after completing The Hunger Games, published in 2008.) Yet pitting one apocalyptic teen-massacre exploitation against the other tends to break down into biases of taste and gender: Where the American product gets branded as melodramatic and soft on violence -- read: feminine -- Battle Royale is celebrated for its dark humor and unrestrained brutality. Writer-director Kinji Fukasaku finds the overlap between teenage dreams and nightmares, between first love and the terror of extinction. "You're so cute," a boy confesses to the girl who just shot him, while another coed shrugs away her sudden bloodthirstiness: "Why not kill? Everyone has their issues." After a masterful establishing scene in which former teacher Mr. Kitano (an exquisitely self-parodying Takeshi Kitano) lectures on the rules of engagement, Fukasaku's narrative jerks forth in rhyme with the action, inserting schmaltzy flashbacks for previously underdeveloped characters right before wasting them away. Masamichi Amano's swollen-stringed romantic score, set against the ultra-violence, might be the film's most perverse play. It might suit a certain worldview, but Battle Royale's cynicism is still a form of fantasy -- a balm as well as a bomb.
Aug. 10-16, 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"