When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
This straightforward homage to Stax/Volt-era soul is a serious departure for Jamie Lidell, a genre-stretching British knob-twiddler whose previous solo work consisted of shadowy, artfully damaged downtempo and who's best known as one-half of the millennial cyberfunk duo Super_Collider. Older fans might mistake Multiply's sincerity for throwback-ism -- or, worse yet, irony -- but everything here suggests that Lidell has the pipes, songwriting skills, and dedication to the masters to render his own neo-retro masterpiece. While his able voice echoes those of Otis Redding, Sly Stone, and Prince, Lidell's production frequently nods to soul-jazz arrangers like Herbie and Stevie. Still, he stakes out his own white-boy soulitude, countering summery, finger-snapping singalongs ("Multiply," "Music Will Not Last") with ricocheting floor-fillers ("When I Come Back Around," "Newme"). Both sides are street-wise and ecstatic, with Lidell's dramatic, digitally tweaked production augmented by upright bass, horns, cowbell (yay!), and his own overdubbed backup vocals. You'll want to strap on headphones to slurp up every funky bleep and bass line, but make sure you've laced up your skates, too, 'cause this one's gonna move you.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"