When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
With neighborhood institutions like the 21 Club closing to make way for yuppie cocktail bars, Brown Jug remains an oasis — and one that takes full advantage of the state's operating hours window, 6 a.m. to 2 a.m. daily.
It’s said that Nanao Sakaki made a practice of never sleeping in the same place twice. The Japanese poet worked many jobs, sometimes living off the generosity of neighbors while studying English and reading. He became interested in primitive art, and his visits to forests all over Japan inspired him to start writing poems. When he co-translated his book Bellyfulls into English in 1961, Sakaki became friends with Beat poet Gary Snyder, who sought him out after having been given the book in India. Sakaki was also founder and lead personality of the Tribe, a loose-knit countercultural group in Japan in the ‘60s and ‘70s that, among other things, built and inhabited the Banyan Ashram on tiny Suwanosejima, one of the Ryukyu Islands (and one of Japan’s most active volcanoes). He spent nearly 10 years in the U.S., mostly in San Francisco but also wandering by foot. A pivotal nexus between Buddhism and the Beat movement, the publication of Sakaki’s first collection of poems will be celebrated with tributes and performances by major writers Snyder, Michael McClure, Joanne Kyger, and Gary Lawless, along with author and Heydey Books guru Malcolm Margolin and host Patricia Wakida.
Fri., May 10, 7 p.m., 2013
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"