When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
In 2013, when Catharine Clark moved her eponymous gallery from 49 Geary to the Potrero Hill area, she gave herself more room to work with, including a dedicated media space that has shown indelible work by such artists as Shalo P ("The Bedroom Suite"), Nina Katchadourian ("In a Room Full of Strangers"), and Andy Diaz Hope and Jon Bernson ("Beautification Machines").
Because not everyone can shell out a week's worth of rent on the edible art of a hand-tweezed tasting menu, veteran restaurateur Kash Feng (owner of Michelin-starred Omakase) and consulting chef Shin Aoki (formally of Michelin-starred Kaigetsu) bring you Okane — legit Japanese fare for epicures of the 99 percent.
As Iron Man 2 begins, Robert Downey Jr.'s Tony Starkmechanical genius, Forbes 400 perennial, the pop-star CEO of Stark Industrieshas dropped any pretense of a secret identity, dealing now with the murderous envy created by conspicuous success. Enter Ivan Vanko (Mickey Rourke), a rogue Russian physicist whose lifelong grudge against the Stark family inspires him to weld together his own knockoff suit. He'll find a sponsor in CEO Justin Hammer (Sam Rockwell), a Tony Stark imitator whose Hammer Industries finishes a consistent second place to Stark. The screenplay, by Justin Theroux, trusts that More Is More. There's techie lifestyle porn, hot cars, hot guns, establishing shots jetting from Moscow to Malibu to Monaco, and three dozen comic books' worth of exposition girdled into two straining hours. The elements that made the first Iron Man a rather likable blockbuster have not entirely evaporated. Director Jon Favreau brings together interesting American movie stars and lets them actually play through scenes (even though Rourke and Rockwell play theirs together as if in two differentboth interestingmovies). But the only reason Sam Jackson's Agent Nick Fury shows up is, essentially, to do press for the upcoming Avengers movie. This sub-subplot is symptomatic of the franchise-first mindset in the era of the $200M "Episode," where films are constructed less as freestanding edifices than as elements in superstructures. The idea is that we learn to trust that any extraneous-seeming thread will connect to something in another couple of summers and pay off, assuming the movie does.
May 7-26, 2010
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"