When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
The queer group Gay Shame was the bane of DPW workers everywhere this past year, using "wheatpaste" (wheat + water = irritatingly hard-to-remove glue concoction) to post flyers targeting everyone from astroturfing pro-development group SFBARF to its capitalist benefactor, Yelp founder Jeremy Stoppelman (lest ye forget his epic response to now-fired Yelp staffer Talia Jane's Medium post complaining about the cost of living in SF: "Move to Phoenix!").
The island trend of Hawaiian-style poke, or raw fish/seafood dressed with a variety of sauces and fresh toppings, has been kicking around the West Coast mainland for a while, particularly in Los Angeles, where its lean protein-rich nature is a big hit with the diet and camera conscious.
Energetic, inventive, swaggering fun, Quentin Tarantinos Inglourious Basterds is a consummate Hollywood entertainmentrich in fantasy and blithely amoral. It's also quintessential Tarantinoeven more drenched in film references than gore. Tweaked after Cannes, Inglourious Basterds may still be a tad long and a little too pleased with itself, but its tough to resist the enthusiastic performances and terrific dialogueif youre not put off by the juvenile premise (a Hollywood occupation romance, in which a Jewish special unit wreaks vengeance on the Nazis) or cartoonish savagery (though Inglourious Basterds is as much talk-talk as bang-bang). Christoph Waltz plays an elegant and clever SS man and is the movies most crowd-pleasing creationhe's Eichmann as fun guy! Hes also a European sissy whose barbaric antagonists are a squad of Jewish-American commandos led by wily hillbilly Aldo Raine (Brad Pitt). The Jews are out for blood. Operating like a cross between the Dirty Dozen and a Nazi death squad, Raines eponymous Basterds take no prisoners; designated survivors are shipped back to Germany, swastikas carved in their foreheads to spook the brass. The rest are sent to Valhalla, most spectacularly by Sgt. Donny Donowitz (exploitation director Eli Roth), who uses a Louisville slugger to bash German brains. Watching Donny beat Nazis to death is as close as we get to the movies, one of the Basterds exults, tipping Tarantinos hand. Everything here unfolds in and maps an alternate universe: The Movies. And if masterpiece is taken to mean the fullest expression of a particular artists worldview, Basterds could well be Tarantinos.
Aug. 23-Sept. 3, 1, 4:30 & 8 p.m., 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"