When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
In 2013, when Catharine Clark moved her eponymous gallery from 49 Geary to the Potrero Hill area, she gave herself more room to work with, including a dedicated media space that has shown indelible work by such artists as Shalo P ("The Bedroom Suite"), Nina Katchadourian ("In a Room Full of Strangers"), and Andy Diaz Hope and Jon Bernson ("Beautification Machines").
In his early TV and screen roles, Dennis Hopper displayed some of the intensity, impatience, and rebelliousness that made James Dean and Marlon Brando icons of a new youth culture. He didnt match their success, however, until he tapped into the counterculture, co-starring in and directing the anarchic 1969 on-the-road anthem Easy Rider (screening Aug. 4). That outlaw escapade defined Hoppers screen persona for all time dangerously unpredictable, drug-dazed yet scary-smart, alluring, and off-putting as the devil himself regardless of what roles (and real-life sobriety) followed. Versions of that character haunt todays creepy double bill of Rivers Edge and Blue Velvet, the high points of the seven-film retrospective "Dennis Hopper: R.I.P." The wide-ranging tribute to the actor, director, photographer, and art collector, who died in May, encompasses his Oscar-nominated supporting role as an alcoholic father in Hoosiers (Aug. 6) and appearances opposite Dean in Rebel Without a Cause (Aug. 6) and Giant (Aug. 8). Not included is Apocalypse Now, in which he played a stoned acolyte of Marlon Brandos crazed Kurtz. Shit, man, Dennis Hoppers dead.
Aug. 4-6, 2010
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"