When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
You may measure your true 415 cred by the amount of times you've strolled into the diner that "never close[s]" (as the sign says), sidled up to the bar, ordered a drink, and received a shot of ouzo on the house — without blinking, looking sideways, or feeling the need to keep an open line to flee for the exit.
New Conservatory Theater Center, 25 Van Ness (at Market), S.F.
Through May 7
Tickets are $20-40
It's Bombay wedding season, and Nils' mother wants him to marry a beautiful girl, but he's already fallen in love with a pretty boy. Nils plans to take his new love back to New York as his blushing bride with the help of the Hijras transvestites with magical powers, questionable monologues, and "sacred mutilated genitalia." Hijra is good-natured fun, and NCTC gives us an affable production; the sound, lighting, and luminous costumes all do a lot with a little, and the actors seem to be enjoying themselves. However, Ash Kotak's first full-length play feels slight, like a Bollywood musical with no musical numbers. The filmic episodic structure makes for awkward transitions, especially during the rushed second act, in which the effort to wrap up loose ends creates unearned moments of revelation and resolution. Characters are forced to examine their deep-seated prejudices in novel ways, yet the playwright doesn't quite enable the audience to have the same experience. Kotak touches on issues of classism and homophobia with humor and honesty, but doesn't make any real emotional or intellectual commitment to exploring these topics with any depth. What we're left with is an amiable, curry-flavored, gay-themed soap opera.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"