Possibly driven by his lewd given name, Khan's records tend toward the lascivious. His 1999 album, 1-900-GET-KHAN, featured a host of hunky gay porn studs on the cover, while the title advertised an actual phone-sex number (at $2.99 a minute, a darn sight spendier than the CD itself). Far more than an attention-grabbing gimmick, though, the electro-wrecked album -- featuring Twin Peaks soundtrack diva Julee Cruise and phone-sex celebrity Bree McMasters -- was a beacon for freaks and a memorial to New York's disappearing deviant underground.
As you might guess, Khan embraces outsiderism. (His latest experience of otherness has been a nomadic foray into Mexico, living among people he can't understand.) It's fitting that his new release, No Comprendo, features two cocks fighting on the cover (get it?) and explores life on the peripheries of genre. Khan may have begun his career making techno of all stripes, but No Comprendo is basically a rock 'n' roll record -- psych blues trash 'n' roll to be precise. Featuring the raucous vocals of indie kingpin Jon Spencer, Detroit bluesman Andre Williams, and Kid Congo Powers of the Cramps and Bad Seeds, the content is bound to alienate electronic music listeners, while the form -- lolling keyboard and drum machine backing -- is likely to piss off rockheads. So Khan's San Francisco performance this Thursday should be something to see. Will bottles fly through the air? Condoms? Twin Peaks paraphernalia? Just remember that this is the artist who released Black Sabbath Riot, a bootleg of a melee that broke out at a 1980 Sabbath gig. So be forewarned: From the sounds of things, El Turco Loco's been sharpening his claws. This cockfight could get interesting.