When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
When the San Francisco Arts Commission wanted someone to dress up City Hall for the building's 100th anniversary last year, and become the structure's first artist-in-residence, it took a leap of faith by choosing Jeremy Fish.
If Glenn Beck keeps a J. Edgar Hoover-esque blacklist under his bed pillow, journalist Rory O’Connor is probably on it, appearing before Nancy Pelosi and George Soros. O’Connor’s progressive bona fides are extensive: Alternet reporter, Huffington Post blogger, media watchdog, and author of Shock Jocks: Hate Speech and Talk Radio, a 2008 book that took populist demagogues such as Rush Limbaugh and Sean Hannity to task for trading in sexist, racist, and homophobic hate-mongering. Four years later, the rabble-rousers of broadcast radio may seem a dying breed — angry old men fomenting their way to irrelevance through a fading medium — but their dubious tactics and principles live on, and their vitriol can be broadcast around the world in an instant. For O’Connor, the tools that enable this present an opportunity but also a threat to civil society. In his new book Friends, Followers and the Future: How Social Media Are Changing Politics, Threatening Big Brands, and Killing Traditional Media, O’Connor turns a skeptical yet pragmatic eye to the likes of Facebook. He examines how such online networks empower citizens to create counternarratives to bullshit punditry, political spin, and corporate PR, while warning of the dystopian echo chamber they could realize, where every citizen becomes a bullshitting pundit, partisan hack, or corporate flak.
Tue., May 1, 7 p.m., 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"