In any case, after overtipping the cabbie (a morose and distracted sort), we sauntered around the neighborhood, which adjoins the southern boundary of the University of California. The layout didn't look much different from the days when I used to BART on over to visit my bevy of high school friends, the ones who (unlike me) were intelligent enough to have been accepted into this temple of higher education. My brief fog-shrouded reverie (exacerbated, perhaps, by the presence of Eddie, whom I've known for five-sixths of my life) was beginning to take on an otherworldly quality when the object of our quest, Blackberry Ginger, loomed before us.
It's housed in a 1911 Victorian (remember that fact) of white clapboard and broad Midwestern verandas overlooking bustling Durant Avenue. Most of the building is occupied by the Beau Sky Hotel, a bed-and-breakfast of 20 rooms and pervasive retro charm. The interior looks like one of the period restaurants on Disneyland's Main Street, U.S.A., or perhaps a tea room in suburban Indiana: gleaming white walls dotted here and there with a painted-rose motif; tall potted plants tucked into every corner; walls lined with metallically embossed bouquets; the whole illuminated with a fine array of chandeliers, one entwined with wrought-iron flowers, one dripping with crystal, and one an awesome, glittering miniature steamship. At one end of the right-hand dining area is a huge headboard-type thing with an elaborately carved golden frame, a cushy quilted backdrop, and a silk flower bouquet in front. As we walked in, Eddie whispered with some alarm, "Matt, there's a lot of little old ladies in here."
As befits this spatial/temporal anomaly -- a little bit of Sinclair Lewis smack dab in the middle of post-Che Berkeley -- Blackberry Ginger specializes in what you might call goop. Just about every platter brims over with a dressing or a sauce or a gratin or a marinara or a bisque or some other form of cream-based masking material: beige haute cuisine as supervised by the Good Housekeeping Auxiliary circa William Howard Taft.
This being Northern California circa 2001, however, the goop is infiltrated here and there with bok choy, fennel, snow peas, and portobello mushrooms (which explains, I suppose, why the chirpy voice on the telephone described the house cuisine as "fine dining New American"). But the fact remains that in any given forkful we could seldom taste one pure flavor -- a culinary mishmash Chez Panisse was invented to rebel against.
But goop has its charms. Although a bit of moderation would have been welcome, a few dishes on the menu benefit from this soft-textured mise en scène. Primary among them is an outstanding crab-asparagus bisque, in which a warm, soothing, creamy (but not too creamy) base is liberally studded with nice, big chunks of sweet crab meat and tomato and slender stalks of crisp asparagus. (No, this isn't crab season and it isn't asparagus season, but such niceties tend not to apply here, and it tasted good anyway.) Another satisfying appetizer is the hummus plate (even if one of the grilled pitas was, well, burnt) -- the garbanzo purée, sharp and delicious with roasted garlic, comes accompanied by a sweet tomato tapenade, dollops of puckery goat cheese, and crisp pita points, resulting in a sort of Middle Eastern nacho platter. The mostly au naturel artichoke is also impressive: Huge and opened-out like an exotic blossom, it's lightly dribbled with a sweet-tart curry-based vinaigrette for oomph. But the pot stickers are ponderous in texture and overly busy in the taste department -- not much more than a heavily fried chicken fillet swimming in a morass of lemon, ginger, cilantro, currants, plums, Napa cabbage, and bok choy.
Blackberry Ginger's signature dish is a rather institutional chicken breast enclosed in what's advertised as a ginger-horseradish crust and then drowned in a treacly blackberry brandy sauce -- enough already! (The accompanying gratin of turnips and Idaho potatoes was quite tasty, however.) Another phantasmagoria is the summer vegetable-herb terrine, in which a big, honkin' platter of overgrown, limp, out-of-season veggies (eggplant, peppers, tomatoes, et al.) swim about in a perfunctory marinara sauce. The gooey, undercooked seafood ravioli is all about cream and exotic spices and not too much about actual seafood, although rumors of crab meat, prawns, and sea bass occasionally fought their way through the goat cheese and the unidentifiable onslaught of seasonings. And the New York strip steak -- a tough and gristly example of the species -- came marinated beyond recognition in a mixture of soy, ginger, and lemongrass, although the sauce tasted like A.1 to me. Everything comes with a basket of soft, pan-baked bread that, in the words of our table's token Michiganer, "at least isn't like all that crappy, crusty California bread." All righty.
Dessert was pretty good: an unexciting but homey tiramisu and a whipped-up milk chocolate mousse studded with bits of the dark stuff. The wine list is on the complicated side -- the per-bottle and per-glass prices are listed together in one column -- but there's a good and eclectic selection of 20 vintages, most of them local (the 1998 Blackstowe merlot out of Graton is a pleasant choice); the fine assortment of seven microbrews includes two personal favorites, Red Hook and Red Tail, as well as the creamy, ebony, winter-defying Guinness.
Anyway, it should be admitted that the food seems to suit the house ambience and its white-gloved clientele, the very definition, after all, of dramatic unity and supply-and-demand. Me, I'm wondering if all those Nobel Prize--winning university types across the street have been up to some more of their laws-of-physics mischief. Goop, in Berkeley?