When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
As William, a taciturn senior who seems to be planning for his final days, veteran character actor and former Elvis Presley bodyguard Red West takes center stage in Goodbye Solo, the third feature co-written and directed by Ramin Bahrani (Man Push Cart, Chop Shop), who, at 34, has quietly emerged as one of the major figures in American independent film. Whats consistently remarkable about Bahranis work is his steadfast refusal to peddle cheap sentiment, or to mine for hope where there is none to be found. And while all of his films to date have dealt with entrepreneurial endeavors, it is not riches that Bahranis ragged protagonists seek, but merely a finer quality of rags. In Goodbye Solo, the small-scale social climber is the title character (excellent newcomer Souléymane Sy Savané), a Senegalese-born taxi driver who cruises the streets of Winston-Salem. When Solo gives a ride to William, hes perplexed by the elder mans request to pick him up again at a date in the near future and deposit him at the top of a local mountainno questions asked. The more Solo pries, the more William retreats. Yet a profound, if fragile bond forms between the two men. The revelation of the film is West, who, in his first leading role, seems like an old buffalo nickel uncovered from the recesses of a dusty bureau, its worth derived not from its assigned value, but from the places it has been and the hands it has passed through.
April 17-June 11, 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"