When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Frank Black may be the godfather of quirk rock, but everyone would agree that much of the luster has been lacking since the Pixies originally disbanded, which is why Frank Black Francis comes as such a pleasant surprise. The record consists of two discs, the first of which contains cassette Walkman recordings of early Pixies songs, with only Black on an acoustic guitar. The demos charmingly paint the rock troubadour as a youthful oddball; amidst the persistent hiss and the doorbells heard in the background, Black announces which songs he wants produced like Hüsker Dü and which parts "the bass player" will sing during the "real" recording sessions. The second disc, however, is the more fascinating of the two, containing revisionist readings of Pixies material recorded with a variety of acoustic instruments, standup bass, horns, and electronic noises. As anyone who's recently seen the reunited Pixies can attest, Black can't hit the notes as well as he used to, but that hardly means he's washed up. Frank Black Francis proves once again that Pixies songs are so strong they withstand any arrangement and any recording medium
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"