A magical meandering through a dreamy Prague of yesteryear, this $1 million musical fable is speckled with flying zeppelins and animated moons, and features stilt-walkers, aerialists, and a chorus of 29 kids. It's Berkeley Rep's holiday show, and it's a visual and aural feast. But the seemingly innocent tale has a darker side that alludes to the harm that comes to children during times of persecution and war.
Brundibar, which is Czech for "bumblebee," is an adaptation of a children's opera composed by Hans Krása and written by Adolf Hoffmeister in Prague in the late 1930s. It was a hit but had its success in a most unexpected place -- the "model" concentration camp of Terezín, where Krása was an inmate and in charge of music for the "Free Time Activities Administration." The play survived the war; Krása and the other Jewish artists and children who gave it life did not. The one-act musical, its libretto adapted by Kushner and its design by Sendak, is paired here with another adaptation taken from the same time and place: Václav Kliment Klicpera's Comedy on the Bridge. In this absurdist piece, five people find themselves unhappily stuck together on a sprawling, old-world Eastern European bridge. Allowed to walk onto the bridge but not to exit on the other side, the peasants squabble pettily, oblivious to the bombs going off all around them.
Sendak is known for his darker breed of fairy tale, and Kushner's got a rep for political dramatization, so it's no surprise that the two have pulled together an evening of such historically rich, contemplative mirth. Despite the plays' wartime origins, they still boast brilliant and animated fun. And in Brundibar, justice does prevail: A host of Sendakian forest characters helps save Pepicek and Aninku from the evil organ grinder. Giant sparrows, talking dogs, big fish with troll feet, and other wacky creatures come to the children's aid, swearing unity and reciting fierce mantras of resistance. "Let us be brave," they say, "and make bullies behave!"