When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Because not everyone can shell out a week's worth of rent on the edible art of a hand-tweezed tasting menu, veteran restaurateur Kash Feng (owner of Michelin-starred Omakase) and consulting chef Shin Aoki (formally of Michelin-starred Kaigetsu) bring you Okane — legit Japanese fare for epicures of the 99 percent.
Philip Kan Gotanda's new play is the latest and most abstract entry in the race for good "documentary theater," à la The Laramie Project. The playwright interviewed people in women's shelters, jails, and "violence re-education" programs to study why some men bash around the women they love, and his answer comes in the form of music, song, beat box rhythms, and dance more than argument or testimony. Five actors mix brief stories of domestic violence with routines choreographed by Erika Chong Schuch. A clumsy, ironic dance to "He Hit Me (It Felt Like a Kiss)" by the Crystals is a highlight, in part because watching five burly, not exactly dance-trained men clap and twirl is like watching a bunch of football players try to be artistic. The best moments of the show plumb the ambiguity of violence -- that edge where affection turns to hate -- but never its psychology; the stories are too brief and fractured to bring about much insight. Tommy Shepherd, Danny Wolohan, Michael Cheng, Rajiv Shah, and Donald E. Lacy Jr. all act well, and Shepherd's intricate beat boxing lends a strong, compelling rhythm. But ultimately Fist of Roses is just a musical montage, an "aural history" that fails to give its own hard stories enough weight.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"